![]() It’s fun, isn’t it? And remember, the more you practice this, the easier it’ll be for you to create and interpret music in your recording sessions!īuilding minor scales doesn’t have to be intimidating, and knowing how to do it can unlock a whole new realm of creativity in your music production. Try to find the relative minor of F♯ major. Knowing how to switch from a major to a relative minor key will allow you to manipulate the mood and vibe with just a few tweaks.įor instance, the relative minor of C major is A minor. ![]() Imagine you’re playing on your keyboard in a home recording studio or producing music digitally, and you want to change the mood of your composition. Knowing how to switch from a major to a relative minor key will allow you to manipulate the mood and vibe with just a few tweaks. The relative minor is found on the sixth scale degree of a major key, or three semitones down from its corresponding major key. Each major key has a relative minor, sharing the same key signature. The concept of relative keys connects major and minor keys, making it simple to convert from one to the other. If you’ve already dabbled with major keys, finding minor keys is going to be a breeze. How can you find a minor key from a major key? The third note in the scale, which is different in major and minor scales, plays a significant role in defining the mood of the scale. If we compare the major and minor scales, we’ll notice that the sequence of tones and semitones differs, giving each scale its unique sound.įor major scales, the sequence is T-T-ST-T-T-T-ST, while for minor scales, it’s T-ST-T-T-ST-T-T. For instance, C and D are separated by tone. A whole tone, or simply a tone, comprises two semitones. In Western music, the smallest interval is a semitone, which is the interval between two adjacent notes, say C and C♯.
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